Soft
Drawings, unglazed paper, textiles. A large cell that does not print the surface.
- For
- Paper, cloth
- Not for
- Glazed panels
Port/Foam
Archival polyethylene
The cavity is cut. It is not hoped.
Pale foam, three densities. Soft for paper, museum for framed work, rigid for stone and glaze that cannot flex.
Cell size
Toggle the grain.
The block on the right is a sketch of the cell, not a job. The packing note takes the density you pick.
Museum polyethylene — framed works, objects with a skin.
Three densities
Named for the object, not a catalogue mood.
We will say which, and why, on the packing note.
Museum
Framed works and objects with a skin. The default on this bench.
- For
- Frames, small sculpture
- Cell
- Medium
Rigid
Stone, metal, glazed panels that cannot flex. The pocket still fits; the wall does not give.
- For
- Weight, glaze
- Cell
- Tight
How a cavity is cut
Millimetres first. Then the knife.
-
Measure
The object, not the crate. Glazing on or off.
-
Choose density
Soft, museum, or rigid. We will say which.
-
Cut the pocket
The foam is cut to the object. Nothing is poured and hoped.